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La Biennale di Venezia

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Cinema

King Ivory

Orizzonti Extra
Director:
John Swab
Production:
Roxwell Films (Jeremy M. Rosen)
Running Time:
130'
Language:
English
Country:
USA
Main Cast:
Ben Foster, James Badge Dale, Michael Mando, Melissa Leo, Graham Greene, Rory Cochrane, Ritchie Coster, George Carroll
Screenplay:
John Swab
Cinematographer:
Will Stone
Editor:
Andrew Aaronson
Costume Designer:
Kaitlyn Smith
Sound:
Mike Frank
Visual Effects:
Anthony Morrow
International distribution:WME Independent
Italian distribution:Universal Pictures

Synopsis

From civilians to criminals to addicts to law enforcement, and everyone in between, all walks of life intersect in this exposé about the pandemic that is fentanyl; street name: King Ivory. It is business as usual for Tulsa drug cop, Layne West, battling the local criminal element, which hits too close to home when his son, Jack, gets hooked on fentanyl. In conjunction with his partner, Ty, and FBI counterpart, Beatty, West makes it his mission in life to take down those responsible, including the Mexican cartel’s local shot-caller, Ramón Garza, Indian Brotherhood War Chief, Holt Lightfeather, who controls state-wide trafficking while serving life inside the Oklahoma State Penitentiary at McAlester a.k.a. “Big Mac”, and the local Irish Mob family outfit, led by George “Smiley” Greene, along with his mother, Ginger, and uncle, Mickey. As Holt educates West during a prison visit, “The cartels want your kids, the next generation, who want what is new, and fentanyl is new”.

Director’s Statement 

To prepare for this script, I spent time with addicts, government officials, cops, trafficked migrants, criminals, cartel members, and prisoners. My goal was to capture an unapologetic and authentic snapshot of our current reality from all sides. A lot of people from my research have since passed away, been deported, incarcerated, or are still out there. What I came away with was empathy for everyone involved. What faces you don’t recognise in this film are mostly comprised of non-actors. The kids are real kids, never before in front of a camera. The cartel members, gang members, junkies, prisoners, cops—are primarily playing themselves. This wasn’t done to boast, but to get to the truth. To avoid making a movie. And instead, provide a genuine experience for anyone who’s been touched by this. And if we’re lucky, help people understand the full scope of this issue so a solution can be found.

PRODUCTION/DISTRIBUTION

PRODUCTION: Roxwell Films – Jeremy Rosen
650 Rose Avenue, Suite 2
90291, Venice, United States of America
Tel. +1 646-296-6205
jeremy@roxwell.net
@RoxwellFilms (Instagram, Facebook, X, YouTube)

WORLD SALES: WME Independent - Joe Facarion
9601 Wilshire Blvd
90210, Beverly Hills, United States of America
Tel. +1 310-859-4266
JFacarion@wmeagency.com

ITALIAN DISTRIBUTION: Universal Pictures - Cat Bates
Central Saint Giles, St Giles High Street
WC2H 8AG, London, United Kingdom
Tel. +44 20 3618 8000
cat.bates@nbcuni.com

PRESS OFFICE: Jeremy Rosen - Roxwell Films
650 Rose Avenue, Suite 2
90291, Venice, United States of America
Tel. +1 646-296-6205
jeremy@roxwell.net
@RoxwellFilms (Instagram, Facebook, X, YouTube)

PRESS OFFICE: Kara MacLean - Organic
6515 W. Sunset Blvd., Suite 200
90028, Los Angeles, CA, United States of America
Tel. +1 424-258-0960
kara.maclean@organic-publicity.com


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Biennale Cinema
Biennale Cinema