The large symphony orchestra, considered as an organism in which each part contributes to the perfection of the whole, is often employed as a metaphor in a variety of contexts. This organism made up of individuals, skills, instruments and colours, which has been offering listeners unique musical experiences and emotions for centuries, will be the focus of this reflection coordinated by theorist and musicologist Ingrid Pustijanac (Università di Pavia). The presentation will highlight aspects of contemporary orchestration research stemming from the important long-term research project ACTOR – Analysis, Creation, and Teaching of Orchestration, coordinated by the music psychologist Stephen McAdams (McGill University). This project involves numerous international institutions and includes many of the participants in this round table as collaborators.
During the panel discussion, numerous examples from orchestral works by the composers featured in the Biennale Musica 2024 programme will be provided to bring theoretical observations into the musical reality experienced by the Festival audience, creating an interactive space for discussion and sharing of experiences.
Speakers: Robert Hasegawa, Makis Solomos, Moe Touizrar, Daniele Ghisi
Moderated by Ingrid Pustijanac
