2024
The last few decades have seen the emergence, internationally, of an increasing attention to issues related to the accessibility of cultural heritage for people with physical or mental disabilities: at the centre of the debate—as stated in the United Nations Convention on the Rights of Persons with Disabilities of 2006—is the value of culture understood as a common good, in an inclusive perspective in which “all art is for all” and cultural participation is understood as an engine of individual and societal well-being.
Alongside the removal of physical obstacles from places of cultural fruition, a greater sensitivity is also being paid to the elimination of linguistic and cognitive barriers; this translates into a broader concept of accessibility, which includes the relationship with the intangible dimension of human life: access to content, concepts, thought, and in general the possibility of enjoying an aesthetic experience and an encounter with beauty; all these are elements central of the visitor's relationship with the work of art, which, also in the case of fragile categories, unwinds along the paths not of need but of desire.
Below is a summary of the initiatives developed by La Biennale around the themes of accessibility.