Yinka Shonibare, a British–Nigerian artist of global renown, transcends the artificial construct of culture through a body of work that has garnered international acclaim. His series Refugee Astronaut (2015-ongoing) introduces a life-sized nomadic astronaut adorned with “African” fabric, equipped to navigate ecological and humanitarian crises. Carrying a mesh sack filled with worldly possessions, the figure symbolises the challenges of displacement. Originating from Shonibare’s contemplation of space as a potential refuge, the artwork serves as a cautionary tale on environmental negligence and capitalism, challenging the unsustainable pursuit of perpetual growth. It also subverts colonial connotations, presenting a refugee astronaut in stark contrast to the colonial instinct of conquering the world. In a cautionary tone, Shonibare emphasises that the artwork serves as a warning, urging contemplation of the potential consequences of inaction regarding rising water levels and the resulting displacement of people. For Shonibare, the overarching question of humanity is incredibly diverse, emphasising the recognition that there is no singular way to be human.
—Sofía Shaula Reeser del Rio
