Room 3
Meredith Monk / The House
La Biennale. Un laboratorio internazionale
Education of the Girlchild
Ex Cantieri Navali della Giudecca, 15, 16, 17 October 1975
Poster
Photo: Lorenzo Capellini
La Biennale. Un laboratorio internazionale
Education of the Girlchild
Ex Cantieri Navali della Giudecca, 15, 16, 17 October 1975
Photo: Lorenzo Capellini
La Biennale. Un laboratorio internazionale
Education of the Girlchild
Ex Cantieri Navali della Giudecca, 15, 16, 17 October 1975
Photos: Lorenzo Capellini
La Biennale. Un laboratorio internazionale
Education of the Girlchild
Ex Cantieri Navali della Giudecca, 15, 16, 17 October 1975
Photos: Lorenzo Capellini
La Biennale. Un laboratorio internazionale
Education of the Girlchild
Ex Cantieri Navali della Giudecca, 15, 16, 17 October 1975
Photos: Lorenzo Capellini
Encounter with Meredith Monk and Luca Ronconi
Ca’ Giustinian
Photo: Lorenzo Capellini
Encounter with Meredith Monk and Luca Ronconi
Ca’ Giustinian
Photo: Lorenzo Capellini
Encounter with Meredith Monk and Luca Ronconi
Ca’ Giustinian
Photo: Lorenzo Capellini
La Biennale. Un laboratorio internazionale
Workshop
Church of San Lorenzo, 15, 16, 17 October 1975
B76 Musica, Teatro musicale e ambiente
Quarry
Ex Cantieri Navali della Giudecca, 1, 2, 3 September 1976
Poster
Photo: Mark E. Smith
B76 Musica, Teatro musicale e ambiente
Quarry
Ex Cantieri Navali della Giudecca, 1, 2, 3 September 1976
Photo: Mark E. Smith
B76 Musica, Teatro musicale e ambiente
Quarry
Ex Cantieri Navali della Giudecca, 1, 2, 3 September 1976
Photo: Mark E. Smith
B76 Musica, Teatro musicale e ambiente
Quarry
Ex Cantieri Navali della Giudecca, 1, 2, 3 September 1976
Photo: Mark E. Smith
B76 Musica, Teatro musicale e ambiente
Quarry
Ex Cantieri Navali della Giudecca, 1, 2, 3 September 1976
Photo: Cameraphoto
Meredith Monk also made her first appearance in Italy at the invitation of Luca Ronconi for the historic Laboratorio internazionale in 1975. Considered a pioneer of multimedia, her tableau composed of sounds, words, movements find expression in Education of the Girlchild, a dream sequence conjured in a woman’s mind, and in Quarry, a work about the Holocaust relived in the hallucinations of a little girl. A dancer, choreographer, composer, instrumentalist and filmmaker, Monk made a deep impression on the spectators with her distinctive vocal modulation, which was destined to influence the evolution of song as much as composers such as Stockhausen.
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