Focus on the double bass - Charlotte Testu

In a dimension that transforms the space of the stage and the music listening space into a scenographic soundscape, Charlotte Testu uses electronic devices to reinvent the instrumental technique of the double bass.

In Présence by Raphaèle Biston, there is the feeling that the relationship being staged is an ambiguous one: a play generated from the dialogue between a character, an individual and something invisible yet present.

Sky and Decaying Sinusoids by Francesca Verunelli revolves around the intent to reinvent an acoustic instrument (and the codes of listening perception related to it) in an artificial space that is as distant as possible from its immediate physical credibility and comprehension.

In Radio Bass, Aurélio Edler-Copes works on the idea of fusion, in the sense of merging into a single entity and within a particular electronic device, the voice of the performer and the sound of the instrument which are thus transformed and amplified, while Mutante/Amniótica by Fernando Garnero features a staged- device, and a sound study of the passage from outside to inside and a grid of silences.