Incorporating painting, sculpture, video, and what the artist has described as ‘activation’, Suki Seokyeong Kang’s multivariate practice centres on the place and role of the individual today. Kang draws on aspects of Korean cultural heritage as well as her own personal history to reimagine ideological structures and envision politicised arenas in which empowered stakeholders can articulate and exercise their agency in the space-time of the present.
